Current

It is 1938. Hollywood star Anna May Wong has just returned to the US after a discouraging tour in China. Drinking herself into a stupor, Wong's dreams transport her back to her time on the film set of Daughter of the Dragon, grappling with the constrictions placed upon her because of her race and sex.

"Liberian Girl in Brooklyn" is a little bit of Marcelle’s life and family history. Through dance music and drama it will explores the experiences of her grandmother who was a Christian missionary in Liberia, West Africa and in turn her mother and her siblings who were born on that mission.

Connected like a puppet to objects that have informed the Black experience in America, multi-media artist Edisa Weeks alternates between black face, white face, storytelling and visceral dance to dig into the foundations of Liberty in America.

"decolonizing my vagina" - a piece that explores my relationship to self love and worth as a queer fat woman of color while knowing 83% of my intimate encounters have been with white men and women.

Faust 2.0 re-imagines Part II of Goethe’s 19th-century masterwork by exploring contemporary themes of globalization, economics, the environment, and gender politics.

Zora Neale Hurston made the connection between Greek tragedy and the sanctified church many years ago. The Gospel at Colonus is a proof of her hypothesis.

"Animal Magnetism is a love story between a chimpanzee and a rhinoceros. It’s a musical, it’s a comedy, it’s impossible. "

A staged song cycle of twelve interlocked songs that trace women’s experiences in Vicksburg Mississippi during four different eras: the Civil War 1860s, the Jim Crow/Great Migration 1910s, the Civil Rights 1960s, and the current decade.