Current

"Warm-Line" is a daughter’s attempt to rekindle the warmth and exuberance of her mother’s life. It is a foggy and laughter-rippled homage to a life lived in service of others and in search of connection, of a woman flickering on the threshold between lucidity and psychosis.

There’s no antonym for nostalgia. “Antonym” (working title) attempts to construct the thing we don’t have a word for: if nostalgia is a yearning for the past, “Antonym” longs for forward motion and envisions the future as an escape from pain.

"I Don’t Want To Interrupt You Guys" is a physicalized disruption of the defensive spaces we inhabit when we encounter our most vulnerable selves. Using live media, family histories, and a reverence for the kids we used to be, this piece is an attempt to rekindle what intimacy and empathy can be when misplaced properness is thrown out with the trash. This is a yard sale of memories that we may have altered in the interest of feeling connected to anything at all.

Adapted from Clarice Lispector's "The Passion According to G.H.," the opera follows the story of a woman who encounters a cockroach while cleaning her home, tastes the white stuff inside of the crushed insect, and has an existential awakening.

Gods and heroes and villains are a part of every epic story. In the story of our Earth, who are We? Are we the Creators, the Preservers or the Destroyers?

Re-imagining Part II of Goethe’s masterwork, Faust 2.0 employs theatrical playfulness, satire, and a rich mix of media to journey with Faust as he seeks ultimate fulfillment.

Zora Neale Hurston made the connection between Greek tragedy and the sanctified church many years ago. The Gospel at Colonus is a proof of her hypothesis.

"Animal Magnetism is a love story between a chimpanzee and a rhinoceros. It’s a musical, it’s a comedy, it’s impossible. "

A staged song cycle of twelve interlocked songs that trace women’s experiences in Vicksburg Mississippi during four different eras: the Civil War 1860s, the Jim Crow/Great Migration 1910s, the Civil Rights 1960s, and the current decade.